The first NZCS Professional Development Masterclass for 2025 was held on Sunday, March 2nd, at Xytech Lighting Rentals in Auckland.
We took advantage of a narrow window of opportunity, where NZCS President, Aaron Morton NZCS was in Auckland prepping for an upcoming film, but was able to take time to share to our members, some of his wisdom and expertise as a seasoned cinematographer.
Aaron Morton NZCS
This was a practical masterclass, where Aaron and gaffer Scott Harman demonstrated a variety of lighting units and techniques to the participants, and showed behind-the-scenes stills and excerpts from movies to illustrate points along the way.
Another of Aaron’s tricks that he demonstrated, was the placement of an eyelight, right below the lens in order to maximise reflection back from the eye with minimal lighting levels.
Some of the highlights were the use of multiple 4 x 4 mirrors to “rifle” the light beam from a large 18K HMI into tight and difficult spaces, and thus increase the overall distance from source to subject and create harder light beams.
We were also treated to a demo of Aaron’s light metering techniques, and discussion as to why he considers it to be one of his most essential lighting tools.
Another gem of information, which could be applied to any project, big or small, was the “Ronnie Light” rig demo - which aligns two lighting units vertically to minimise multi-directional shadows on the ground (which happens with conventional side-by-side rigs).
Aaron also showed scenes from “The First Omen” and his innovative approach to filming in a historic Italian cathedral, with a minimal lighting footprint in a highly sensitive location. One of his favourites lighting units for speed and versatility in situations like this, is an LED moving head fixture which can instantly change beam shape, direction, color, intensity and gobo effects.
We were also shown a breakdown and demo of a car interior night driving scene from the film – shot against greenscreen with rows of programmed Astera tubes in chase mode to give the very real illusion of moving past streetlights.
Another of Aaron’s tricks that he demonstrated, was the placement of an eyelight, right below the lens in order to maximise reflection back from the eye with minimal lighting levels. Aaron and Scott also demonstrated some new lighting technology provided by Xytech – such as the Hyper-Optic multi-lens accessory for the Skypanel X range, and wrapped up the session with a lively Q&A
Aaron discusses blue-screen set-up for boat sequences on "Lord of the Rings: Rings of Power" tv series
This masterclass was attended exclusively by NZCS members, of varying experience levels. It was gratifying to pitch something at our more experienced, accredited members too and the feedback has been very favourable - even those cinematographers with many year’s experience walked away seeing some concepts in a completely new light.
Many thanks to our Major National Sponsor, the Xytech Group, for providing a location and lighting equipment, ImageZone for supplying cameras and lenses, Halcyon Digital for Qtake and DIT, Samsung for the OLED monitors, Moana Grips for the dolly, and our NZCS volunteers for helping make this a great day!
Photo credits: Murray Milne NZCS
~ Donny Duncan NZCS, Professional Development Manager
Our Gender Diversity in Camera Program is in full swing for 2025, and we will have some internships for camera trainees and DP attachment opportunities to announce in the near future. We also have some left over funding for our Diversity and Inclusion Program which is open to under-represented groups in our industry. 2024 had eight placements in both programs – 3 camera trainees and 5 DP attachments and we are most appreciative of producers and the NZFC who have joined the NZCS in this initiative which is now into its 6th year. Paris Manning – NZCS Camera Trainee, on TV series “Red Rocks” in Wellington
Grace Jamieson – NZCS Camera Trainee on Spartacus- House of Ashur Bharati Sonu – DP attachment on “Backpack” with DP Jeff Cutter
The NZCS Gender Diversity Program invites applicants who identify as female to apply for a Camera Trainee position on a local Feature Film, prepping in Auckland from 30th September 2024.
The Internship provides the opportunity to work under the guidance of the camera team in a fast-moving shoot, with a hands-on, full-time work role anticipated, as a Camera Trainee.
This will be a paid Internship for a 7 week prep/shoot from 30th Sept – 18th November, working 5 day weeks. E-mail pd@nzcine.com for specific details.
This is an exciting short-notice opportunity on a locally funded low-budget NZ feature film with a first-time feature, female cinematographer, Bayley Broome-Peake, at the helm of the camera department. Apologies for the short lead-up time for applications.
The placements are open to female candidates, throughout New Zealand, but the successful candidate will have to work ex-Auckland, as no travel or accommodation will be provided. Successful applicants will have to agree to join the NZCS, for a 1 year minimum as an associate member.
The selected candidate will be issued a standard contract by the Production Company, will join the payroll per other contractors, and will also sign an agreement with the NZCS.
The aim of the Attachment is:
To provide an opportunity for a female camera trainee to increase their confidence and skill -set through a hands-on role with an experienced drama camera team, and to provide another training pathway to the limited opportunities currently available. This is not a creative input role, but as the junior member of the camera team there will be the chance to upskill in professional
work practice, technical gear knowledge and observe the creative decision making process in the field.
This mentorship is made possible with sponsorship from the New Zealand Film Commission Strategic Development Fund, the NZCS and the production company. We remain committed to a mandate to grow and diversify the pool of upcoming camera talent in New Zealand, to redress the current gender imbalance, and to encourage young women to pursue a goal of becoming recognised cinematographers.
To be eligible, applicants must:
To apply:
Please submit the following in attached electronic documents (Word file or PDF) – do not include the below in body of email to Donny Duncan, NZCS Professional Development Manager at pd@nzcine.com with “Auckland Camera Trainee Attachment” in the subject line:
Closing Date for Applications: 5.00pm, Sunday, 22nd September
• Your NZCS Membership Number (or intention to join if successful)
A shortlist will be developed from applications and an interview (in person, phone or Zoom) may be required, at which time further details of the production itself will be provided.
We will endeavour to inform applicants of a decision by 7.00pm Tuesday 24th Sept, 2024
NZCS Members with lens array - Photo by Jon Waters
NZCS was recently offered the chance to host a Lens workshop led by Panavision Australia’s Nic Godoy, which included ‘live’ on-set demonstrations using Panavision cameras and an array of vintage and modern lenses.
Delivered in two parts, the program was developed with the nuances, challenges, and specific requirements of creative and technical roles in mind.
Presented at Panavision NZ, Behind The Lens was a day of hands-on practical sessions in which screen practitioners gained a greater understanding of how camera lenses and technology influence visual storytelling.
Nic Godoy - Photo by Jon Waters
The morning was for practitioners working in creative roles (Directors, Producers, Writers, DP’s etc) and included demystifying lenses and the lens testing process, and how to use terminology for effective communication between Directors and Cinematographers.
A networking lunch then followed, where participants from both sessions got together to make new introductions and bring together the wider film making community.
The afternoon was for practitioners working in advanced technical roles (Cinematographers, AC’s, post-production, etc) and included a showcase and a technical breakdown of motion picture lens characteristics of Spherical, Anamorphic, Large Format and S35 lenses, including the evolving advancement of lens modification and customization.
Nic presenting to audience - Photo by: Jon Waters
On this occasion the NZCS reached out to other screen guilds including WIFT, PISA, PASC, DEGANZ, SGANZ and Ngā Aho Whaakari and offered discounted entry fees, as we are keen to have more collaboration with practitioners beyond camera, in our Professional Development sphere.
We were very encouraged by the Guild participation, and had an excellent mix of directors, actors, writers, producers, DPs and AC’s in the first creative session, and a great mix of DPs, and camera assistants in the afternoon technical session. About 20-25 people attended each session, and a full house for the networking lunch.
We have already had some excellent feedback - for example:
“As a member of both DEGANZ and WIFT the workshop 1000% enhanced my understanding of what camera department is doing. Would love more cross guild workshops, as we work together after all ! It would also provide a great networking opportunity.”
Given the positive feedback from the event, Panavision is keen to entertain future collaborations, and there has already been interest to bring this lens workshop to Wellington in 2025.
A big thank you to Paul Lake and Lucas Chiappella from Panavision New Zealand, Nic Godoy and PV Australia, Michael Paletta from the NZCS for admin/organisation and the NZCS committee volunteers who helped out.
~ Donny Duncan NZCS
Motion Camera Equipment Hire opens in Ōtautahi Christchurch allowing for better accessibility for major film production in the region.
We are thrilled to announce the launch of South Island Cameras, a new motion camera equipment hire company founded by industry veteran Brett Mills, owner of Queenstown Camera. This exciting development marks a significant step forward for Christchurch’s screen industry.
South Island Cameras aims to revolutionise film production in Christchurch by offering top-tier motion picture cameras and accessories locally. Brett Mills, a well-respected figure in the industry, sees Christchurch as a hidden gem within New Zealand's growing film sector.
“Auckland may be the hub of production, but we believe Ōtautahi has untapped potential,” says Mills. “By establishing South Island Cameras, we hope to redirect inquiries to Christchurch and position it as the premier filming destination for the South Island. Christchurch’s stunning location deserves greater representation on screen, both locally and internationally.”
The launch of South Island Cameras coincides with Screen CanterburyNZ’s ongoing efforts to strengthen Christchurch’s creative economy. A subsidiary of ChristchurchNZ, Screen CanterburyNZ has secured over $500,000 in incentives to enhance the local screen sector and promote Canterbury as a prime filming location. This follows a successful pilot scheme, which saw over $1.5 million in grants from 2022 to 2024, resulting in a $14 million spend in the region from production activities.
Brett Mills underscores the importance of robust production infrastructure to support industry growth. “For the film industry to thrive, it needs solid infrastructure. South Island Cameras will facilitate access to high-quality equipment and streamline the process for local crews, eliminating the costs and complications associated with transporting gear.”
With over 35 years of experience in the South Island screen industry through Queenstown Camera Company and Local Action Film Equipment Hire, Mills is committed to elevating both Queenstown and Christchurch as film production hubs. He envisions Christchurch as the ideal location for a major South Island studio, given its strategic position, scenic beauty, and supportive infrastructure.
“I’ve always believed that Christchurch is the perfect place for a South Island studio. The city’s location, scenery, and facilities make it an ideal setting for a thriving film industry. With funding in place and increased accessibility, our next step is to focus on upskilling local talent.”
Mills’ vision for South Island Cameras includes offering camera training courses and providing aspiring film students with the resources they need to succeed. The company will offer all equipment for hire exclusively from Christchurch, with a comprehensive inventory available on their website.
South Island Cameras is set to become a cornerstone of Christchurch’s film industry, driving local production growth and showcasing the city’s unique offerings to a global audience.
You can check out the South Island Cameras website here: https://southislandcameras.nz
As we look ahead to the 7th NZCS Awards, it’s a wonderful opportunity to reflect on the individuals who make significant contributions to cinematography beyond the role of Director of Photography.
If you know someone who exemplifies this spirit—much like the late Ian (Turtz) Turtill did—consider nominating them for this year’s Turtz Award.
Simply send us an email with the nominee’s name and a brief description of their contributions, whether they’re from the past year or span a lifetime of work.
Any NZCS Member can make a nomination. The deadline for submissions is 31 August. The NZCS Committee will review the nominations, and the award will be presented at the NZCS Awards dinner on Saturday 26th October.
Let’s celebrate those who truly make a difference!
June was a busy month for NZCS Professional Development. We currently have four interns under our Gender, Diversity and Inclusion programs on set and Bharati Sonu is about to start as DP intern on feature film “Backpack”.
The very good news is that the NZ Film Commission has approved another year of funding for our Gender Diversity Intern Program so this will take us through to June 2025 with an estimated seven new placements available in the coming year, and three still to place from our 2023/24 funding.
We’ve successfully held two one-day workshops/masterclasses in June - An Introduction to Cinematography for Drama with Waikato Screen in Hamilton, tutored by Donny Duncan NZCS and well attended by over 20 participants.
Our Gimbal Workshop with Jono Drew at Panavision in Auckland was also a great success with 23 participants from all levels of experience and background. Many thanks to our tutors Jono Drew, Michael Paletta, Will Prosor, Levi Keddy and Ainsley Calderwood who ensured everyone was kept busy and had the chance to demo a variety of different rigs, and Panavisoon for supplying a venue and camera gear.
In memory of Chris McKenzie
Known for his calm demeanour, witty humour, and unparalleled skills in lighting, Chris embarked on a distinguished film lighting career that began in Wellington in the late 1960s.
Over five decades, he mastered the art of being a great Gaffer, contributing to numerous iconic productions in New Zealand and Australia. Chris was not just a master of his craft but also a mentor and supporter to countless camera crews, serving as the face of PLS (Professional Lighting Services) for over 35 years.
In 2023, Chris retired to the Nelson region, closing a remarkable chapter in his career. His dedication to our society and the wider camera community was unparalleled. Chris generously offered his time, wisdom, and essential equipment to enrich the work of cinematographers across New Zealand. His contributions went beyond sponsorship; they were a testament to his unwavering commitment and passion for cinematography.
Chris was known for his support of film students, emerging cinematographers, and professionals on tight budgets, often providing generous discounts from PLS on lighting and grip equipment for short films, music videos, and passion projects that demonstrated genuine filmmaking potential.
From the inception of NZCS to the establishment of our annual Awards, Chris's support remained unwavering. He played a pivotal role in shaping our community, providing invaluable advice and dedicated efforts through PLS. His kindness and humour brightened every interaction, leaving an indelible mark on all who had the privilege of working with him.
We extend our deepest sympathies to Chris's family, friends, the PLS team, and everyone whose life he touched. His legacy will forever be cherished within the NZCS community.
PHOTO: Selfie taken by Kelly Chen, with international cinematographer Carlos Gonzáles, SVC, during her placement as DP intern on 'Zombies 4: Day & Night’
DP intern, Kelly Chen, has completed her 4 week mentorship with DP Carlos Gonzalez SVC on “Zombie 4: Day and Night” under the Gender Diversity Program and reports an extremely valuable experience where she gained awesome insights into big-scale setups and equipment, which are often hard to come by on low-budget productions.
NZCS is pleased to report that two candidates have been chosen for our intern placements on “Spartacus House of Ashur,” TV series, under our new Diversity and Inclusion program, aimed at those from under-represented communities.
The camera trainee intern role went to Grace Jamieson, who recently graduated from Youbee Colleges, South Seas Film School and who qualifies as a member of the neuro-diverse community. The mid-career, DP intern role was awarded to Ben Marr (Ngai Tūhoe, Ngāti Rangitihi, Te Whānau a Apanui) who is a Rotorua based cinematographer of Maori ethnicity.
The competition for these roles was very intense and Grace and Ben are stoked to be given the opportunity to join the production with the assistance of the NZCS, the NZ Film Commission and Spartacus Productions NZ Ltd, and are both well into the shoot gaining valuable experience.
Another 15 day DP internship on “Spartacus House of Ashur” has gone to Nina Wells, under the Gender Diversity Program, where she will be mentored by DP Andrew McGeorge, commencing late June.
We’ve also awarded an internship to Paris Manning, who has already started as Camera Trainee on the TV series “Red Rocks” in Wellington, under the tutelage of 1st AC Garth Michael.
The most recent of our 2024 internships has gone to Sofi Isaak-Zade, who will take on a hybrid role as 1st AC/2nd Cam operator on 6-part doco series, “Fangirl Revolution” with DP Daniela (Nani) Conforte.
We are currently advertising a DP intern position in Auckland on feature film “Backpack” with DP Jeff Cutter,
On Thursday, March 21st, NZCS hosted an event with Carlos González SVC, a Venezuelan cinematographer and director based in Los Angeles, who is in New Zealand to film 'Zombies 4: Day and Night'.
Carlos shared his expertise and perspectives on the director-cinematographer relationship with Donny Duncan NZCS and those attending at the Dept of Post in Auckland.
Carlos expressed a range of personal experiences about the director/cinematographer relationship and showed some beautiful work. He shared insights on how he achieved various looks and pearls of wisdom about what not to do and what's helpful when relating with directors and crew as a cinematographer.
It was a great event, and we recorded it so you can watch it later on our website when it's ready.
Prices include GST© 2008- 2021 New Zealand Cinematographers Society
